I am interested in the idea of ignition in sculpture how by placing two objects together a dialogue is formed thus activating the work. Replacement can be read as a conversation between objects we know to function together, formed from a set of ‘job materials’, which retain a use-reference. Derived from, and inspired by, construction sites and shop re-fits (situations in flux with a sense of on-going), my sculptural arrangements, although a set of stationary objects, have movement in the potential uses/ roles that the scene suggests, along with a space for the viewer (as participant) as they become involved.
Joel Muggleton
'Replacement'
I am interested in the idea of ignition in sculpture how by placing two objects together a dialogue is formed thus activating the work. Replacement can be read as a conversation between objects we know to function together, formed from a set of ‘job materials’, which retain a use-reference. Derived from, and inspired by, construction sites and shop re-fits (situations in flux with a sense of on-going), my sculptural arrangements, although a set of stationary objects, have movement in the potential uses/ roles that the scene suggests, along with a space for the viewer (as participant) as they become involved.